The Queensboro Bridge began as a demonstration that a collaborating engineer and architect, working with both iron and steel, could improve the appearance of a cantilever bridge. Ruffa Mae Bradman (ruffabradman) on Instagram: 'Finally got to visit my fav go to aesthetic clinic.
Such elements played a pivotal role in development of bridges of number of varieties, at precisely a time when such structures were especially influential in development and interpretation of the American built environment. Atompunk typically envisions a satirical or dark twist on the Raygun Gothic aesthetic such as post-apocalyptic space age settings like Dads Nuke and Do. But a closer examination of these earlier works shows that cast-iron elements were often seen as substantial advances in the proto-modern tradition of architecture. These structures are too iconic in the literature of architectural modernism and, more generally, the American built environment to be easily displaced. Examples include a chainmail shift dress, a bulbous. In the fashion community, elegance in the 1960s and 1970s sartorial legacy was considered and defined as the prosperity attributed to space race. Beginning with his Space Age collection in 1964, Courrèges’s lashings of white and silver quickly became part of an era-defining aesthetic. Henry Hornbostel's and Gustav Lindenthal's work on New York's bridges, including the cast-iron details that figure prominently within their designs, suggests a reconsideration of apparent hegemony of America's great suspension bridges. Much of the aesthetics and art produced during and after the 1960s Space Age were experimental and visually striking, according to Petersen. Also, Petersen published the book Space-age aesthetics of Lucio Fontana, Yves Klein, and the post-war European avant-garde in 2009 8.
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